Post Workflow for Videographers

There are too many camera types and codecs to do this post justice, so I’m trying to address the general ideas here rather than specifics.

I still love proxies

You’ll recall one of the big reasons [I bought a Canon C200 over an Ursa Mini Pro] was due to the ability to shoot sidecar proxies. It is so much easier to transfer files and edit with a lightweight codec and then reconform later. See

DAM Digital Asset Managers

You’ll also here these referred to more specifically for our field as MAMs (media asset managers).

YoYotta ID

CatDV

Lightroom

NeoFinder

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