Post Workflow for Videographers

There are too many camera types and codecs to do this post justice, so I’m trying to address the general ideas here rather than specifics.

I still love proxies

You’ll recall one of the big reasons [I bought a Canon C200 over an Ursa Mini Pro] was due to the ability to shoot sidecar proxies. It is so much easier to transfer files and edit with a lightweight codec and then reconform later. See

DAM Digital Asset Managers

You’ll also here these referred to more specifically for our field as MAMs (media asset managers).

YoYotta ID




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